
My interview with Dearbhla Walsh in yesterday's Independent
Dearbhla Walsh might be flying  high thanks to her Emmy win last Sunday for directing the BBC mini-series  Little Dorrit, but this is one woman who refuses to rest on her  laurels. Having arrived back in Dublin on Tuesday evening to a rapturous  welcome from her family, and further celebrations until the wee hours  in the Trocadero restaurant, Dearbhla still managed to be back in work  for 10am on Wednesday. 
“Life and work gets back  to normal very quickly,” she laughs. “I spent all day scouting locations  around Dublin. It’s been non-stop, and on top of the jet lag and a  hangover, I think I’m fighting a chest infection too.”
That’s not to say that the  Sligo-born director isn’t still dazed by her Hollywood success. “It’s  unbelievable,” she admits. “It was so strange coming back through  Heathrow and seeing my picture all over the British papers, and there’s  been so much interest and support here too.”
Now that she mentions it, just  how does one get an Emmy award home on a plane? Surely she didn’t  just pack it into her check-in luggage? “We were wondering that, because  it’s like a weapon,” she says. “The angel’s wings on the statue  have spikes on them, and it’s really heavy. We stayed in the Beverley  Hilton, so the front desk wrapped the award in bubble-wrap and sellotaped  it up in a box. 
“At security in LAX, they  thought it was a DVD player, and so I would have to unpack it. I said,  ‘No it’s not a DVD player, it’s actually an Emmy’, and they  went, ‘Oh, ok!’ They let me through and I carried it under my arm  all the way to Dublin.”
Being the proud owner of an  Emmy award not only boosts her professional profile considerably, it  also served as an important party pass in Hollywood last weekend. “It  was collateral on Sunday night because we had been told before the ceremony  that Tom Courtenay [nominated for Best Supporting Actor for Little  Dorrit] and I were not allowed into the HBO party because we were  the competition against their nominated series, Generation Kill,”  she reveals. 
“But after I won, and I was  backstage, the head of BBC Drama said, ‘you are going to the HBO party’,  so it makes a big difference arriving there with an Emmy in my hand.  The first person I bumped into was Dianne Wiest, who stopped me, saying,  ‘Congratulations, it’s so exciting. It’s great for a female director  to win’. It was surreal. I had to pinch myself and think, ‘Quick,  take a picture!’”
Dearbhla freely admits that  while walking to the podium to collect the prize, she found herself  reflecting on just she got from Tubbercurry to Tinsel Town. The truth  of the matter is that it took Dearbhla the best part of 20 years to  achieve overnight success.
While studying Communications  in DCU, Dearbhla got her first experience in the business as a runner  on the RTE talent show, Screen Test (“The X Factor of  the ‘80s”, as she calls it).
However, like the majority  of young people of her generation, Dearbhla had few employment prospects  upon graduation.”It was 1988, and there was no work,” she recalls.  “I signed up for a FAS unemployment course in film, and soon got called  for an interview with Granada TV in Manchester, where I worked there  for three years editing trailers for film and TV programmes.”
To her own surprise, Dearbhla  then landed a place on RTE’s producer-director course, and worked  there for three years in young people’s and arts programming, before  leaving the station to go freelance.
“I was trying to get into  drama for ages and couldn’t because all those jobs went to English  directors,” she says. “So I went to Australia for a wedding, and  ended up staying for seven months. Of course, when you stop knocking  on the door, opportunity comes calling, and I got called back to work  on an RTE-BBC co-production, Custer’s Last Stand Up (2001). 
“That won a Bafta award,  which brought me on to EastEnders and Shameless, and luckily  since then I haven’t stopped working. It’s been a long slog with  very little glamour in it, so going to the Emmys was a nice reward.”
During her acceptance speech  last weekend, Dearbhla also jubilantly thanked her partner, the RTE  presenter and journalist Anna Nolan, quipping that “they’re will  be there of us in the bed tonight”. 
It was quite a saucy remark  to make on American network television. “It probably was,” she laughs.  “But I just said it in the heat of the moment. I really didn’t expect  the night to go that way.”
Dearbhla prefers not to publicly  talk about her seven-year relationship with the one-time Big Brother  star, but she does reveal how the glamorous pair first met. “We worked  together on her series Ask Anna,” she explains, adding with  a smile: “So I asked Anna, and she said yes.”
It seems there will be plenty  of more people saying ‘yes’ to Dearbhla from now. “My agent called  me today to say a film script had come in for me,” she says. “I’ll  have a read of that at the weekend and proceed from there.
“I had gone out to LA two  days before the Emmys and did lots of meetings with companies like Miramax,  HBO and Scott Free. After the ceremony, there were a lot of messages  from people saying, ‘we must find something we can work on together’.
 
 

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